![izotope ozone 4 v4.on.263 key izotope ozone 4 v4.on.263 key](https://splice.com/blog/wp-content/uploads/2017/10/ozone-blog-post-header-800x500@2x.png)
The mastering suite now sports a brilliant preset manager, with 100 ready-made settings.
![izotope ozone 4 v4.on.263 key izotope ozone 4 v4.on.263 key](https://img.yumpu.com/3576683/1/500x640/july-2010-resellerzone-computers-unlimited.jpg)
There's also a Global Amount slider for adjusting the overall, er, Ozone level. One great addition to Ozone 4 is the set of six omnipresent blend sliders, which offer a quick way to mix in more (or less) of a particular module.įor example, if you've got some tasty compression on the go, but it's a bit too slamming, backing off the Multiband Dynamics' modules blend slider adjusts the Mix control of each band, which might be all that's needed to tame it. In the hands of the more experienced engineer, this can really bring out the best in your material - for example, highlight the thump and snap of drums (mid) without making the guitars (sides) pump excessively. Obviously, with the reverb you can add ambience to the centre only to bring out a vocal or kick, or to the edges for widening the sound.Īs for the Dynamics module, with four bands operating in mid/side mode, you essentially have eight separate compressors. Mid/side EQing might be used in the following situation: to brighten up a centrally-panned vocal (mid), while adding more low-mids to hard-panned guitars (side). When switching between mid or side settings, the controls turn red or blue, so you always know what's what. Mid/side processing is where stereo audio is converted from a left/right pair into centre (mono sum) and sides (difference between left and right), so that each can be processed independently, then decoded back into stereo.Īs centre-panned instruments (drums, bass, vocals) tend to have different characteristics to those at the sides (guitars, big synths, reverb), mid/side processing can give greater control during mastering.įour modules (EQ, Reverb, Exciter, Dynamics) can operate in M/S mode. There are also numerous dithering options.
#Izotope ozone 4 v4.on.263 key psp#
It's one of the best we've tried, and is easily up there with PSP Xenon and Voxengo Elephant 3. In addition to the pre-existing Soft, Brickwall and Intelligent modes comes the even smarter Intelligent II, and boy, does it do a good job of producing loud yet coherent masters! The Loudness Maximizer keeps it simple, with just threshold, ceiling and timing sliders. Multiband Dynamics is an extremely versatile multiband compressor/limiter/expander/gate with automatic gain compensation and a new Mix control that gives you instant access to parallel compression. While you might think dynamics and limiting processors have been done to death, Ozone 4's stand out with their fantastic sound, clever functions and intuitive operation. Meanwhile, the Stereo Imager performs band-specific widening/narrowing of the stereo field - nice! Dynamics and limiting The latter is new for v4 and is perhaps the cleanest and roundest-sounding. Four saturation modes are available: Tape, Tube, Retro and Warm. The four-band Harmonic Exciter adds saturation per band, complete with drive and mix controls, and there are time offset controls for subtly tightening the bass. Common to all is a handy Learn mode that automatically sets the crossover points to suit the frequency content of the incoming material. Ozone 4 contains three multiband processors (adjustable from one to four bands), and these now have numerous extra features. However, that's not always an option, and Ozone's reverb can work wonders on dry mixes, especially using the mid/side modes. Ozone's so-called Mastering Reverb has always been a contentious inclusion, as it's generally considered that if you're adding reverb during mastering, you should really consider remixing. However, you can also select multiple EQ nodes and adjust them as one, which makes up for it. It works well in practice, although the associated snapshot menu obscures the EQ display, which can be annoying (this happens quite a lot with Ozone's pop-up windows). The latter enables you to capture 'spectrum snapshots' of other mixes in order to apply their tonal characteristics to your own. This has eight bands, operable in Analog, Digital (ie, linear phase) or Matching modes. You'll usually place Ozone's Paragraphic EQ module first in your mastering chain.